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Dunkirk (2017)
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Director:
Christopher
Nolan |
COUNTRY
United Kingdom / USA / France / Netherlands |
GENRE
War |
NORWEGIAN TITLE
Dunkirk |
RUNNING
TIME
106 minutes |
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Producer:
Emma Thomas
Christopher Nolan |
Screenwriter:
Christopher Nolan |
Review
In
Dunkirk, virtuoso director Christopher Nolan throws us straight
into the action as hordes of desperate British soldiers try to get
onboard a ship to take them back to Great Britain and escape the
approaching Germans who have cornered them in the town of Dunkirk in
the North of France. It's 1940, and the German forces are about to
complete their conquest of the north-western part of continental
Europe.
Having watched another of this season's award favourites,
Darkest Hour,
about Winston Churchill's first days as Prime Minister of the UK in
the early days of WWII, it is particularly interesting to see
Nolan's out-and-out war movie take on the battle of Dunkirk
(watching either film first will work). Nolan willingly sacrifices
dramaturgy and character-development for realism and an authentic
representation of the randomness of war. His film is basically 106
minutes of climax, with a constant suspense-curve in which the noise
and chaos of war comes to the forefront and in which individuality
is subordinate – as it by default is in war. This fascinating basis
sets Dunkirk apart and gives it an undeniable and
irresistible edge, even if the cost is a reduced emotional impact,
as anyone familiar with the concept of narration would know. That
doesn't mean that the film is non-narrative, however, because out of
the chaos come three main plot-lines which Nolan alternates between
following. Dialogue is scarce, but weighty. Glimpses of hope are
rare, but ever so welcome. And the impact is one of combined horror
and awe.
The
film is a homage to those countless young, brave and largely
unknowing men who fought that war for us all. Among Dunkirk's
many achievements, the technical ones may be the most impressive.
And Hans Zimmer's uncharacteristic, intense score help elevate Nolan
images from beautiful to haunting.
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