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Eragon
(2006)
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Director:
Stefen
Fangmeier |
COUNTRY
USA/UK |
GENRE
Fantasy/Adventure |
NORWEGIAN
TITLE
Eragon |
RUNNING
TIME
104
minutes |
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Producer:
John Davis
Wyck Godfrey |
Screenwriter
(based on the novel by Christopher Paolini):
Peter Buchman |
Review
Eragon
has a combination of cute, juvenile innocence and cynical commercialism
to it. In all likelihood, that is a representation that suit its nature
well. Based on the book by copycat fantasy-geek Christopher Paolini, Eragon
is evidence that persistence and know-how about marketing today in many
instances can get you farther than can talent. That is not to say that
Paolini should be categorically dismissed as a writer. His world is
thorough and detailed, but of course inherently unoriginal. There isn't
one single character or one single plot twist in here that doesn't owe
its existence to previous works in the genre, and more often than not
the inspiration comes from the most renowned pieces. Still, the fact
that first-time director Stefen Fangmeier has major problems with the
rhythm and pacing of the film is a problem just as substantial as the
plagiarized story. At the hands of Fangmeier, every crucial narrative
turn seem like parenthesises. Together with unsubtle choices (like how
the dragon comes to life through Rachel Weisz' preposterous
'character'), it makes Eragon a rather lifeless experience. The
film might work to some degree for buffs or for youngsters who are new
to the genre, but there's little doubt that in retrospect, Eragon
will stand as a fairly industrious, but completely insignificant pop
fantasy film.
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