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Ferris Bueller's Day Off (1986)
John Hughes, fresh off the success of The Breakfast Club, continued his high school depiction with this life-loving, carefree comedy. The thematic elements are the same as usual, including teen liberation, uncomprehending authorities, the teen/parent relation etc, but Hughes' stance here is more lightweight and the characterizations more banal than was the case with The Breakfast Club. Ferris Bueller is a more downright comedy, and even if it lacks the profound ingenuity and humour of its predecessor, it is an impetus of uplifting fun. Ferris Bueller's Day Off opens on
a high note, as Matthew Broderick is given freedom to roam both
narratively and stylistically. The effect of letting him break the
fourth wall is attention-grabbing, if not dramatically enhancing, but it
allows the film to exploit its spirited nature. The Broderick/Sara/Ruck
triangle is the film's best asset, and the trio have some fine, poignant
moments. Still, one cannot help feel that the film remains a series of
vignettes as it grows older. The tedious Jeffrey Jones character is an
uncharming admonition to the Pesci/Stern Home
Alone idiocy (consider the layered nature of Richard
Vernon as opposed to Ed Rooney), and except for a fine performance from
Jennifer Grey, the latter part of Ferris Bueller cannot uphold
its promising start. Hughes knows his characters well, but he's clearly
running out of things to say, leaving this a pleasant comedy, far from
the relevant brilliance of The
Breakfast Club.
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