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Festen (1998)
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Director:
Thomas
Vinterberg |
INTERNATIONAL TITLE
The
Celebration |
COUNTRY
Denmark |
GENRE
Drama |
NORWEGIAN TITLE
Festen |
RUNNING
TIME
105 minutes |
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Producer:
Birgitte Hald
Morten Kaufmann |
Screenwriter:
Thomas
Vinterberg
Mogens Rukov |
Review
It's
dysfunctionality gone dysfunctional in this early Danish Dogme 95
style film by Thomas Vinterberg. An upper-class family reunite for
the father's 60th birthday, not long after one of his daughters
committed suicide. And during the elegant dinner, eldest son
Christian (Ulrich Thomsen) gives a public speech in which he accuses
his father of having sexually abused him and his siblings during
their youth. Like Christian, Vinterberg wants to shock his audience,
and he probably does. But the two have more in common; they both
lack the elegance and context to make their respective audiences
believe in them and really care about them. The film's crude style
and seemingly chaotic denouement may well have the intention of
mirroring the characters' chaotic state of mind and bring them
close; make them more authentic and real. But Vinterberg's cold,
sometimes farcical observations of them make them all seem pathetic
and irrelevant instead. And there's not much authentic about how the
other guests at the party react - they seem to be there just to
prolong the suffering, for both us and the protagonist. Contrary to
what it might at first seem like, Festen does not handle or
discuss sexual abuse in a serious manner, it simply uses it for
effect.
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