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Filth (2013)
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Director:
Jon S. Baird |
COUNTRY
Scotland/UK |
GENRE
Drama/Crime/Comedy |
NORWEGIAN TITLE
Filth |
RUNNING
TIME
97 minutes |
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Producer:
Jon S. Baird
Mark Amin
Christian Angermayer
Will Clarke
Stephen Mao
Ken Marshall
Jens Meurer
Celine Rattray
Trudie Styler |
Screenwriter:
Jon S. Baird |
Review
The
novel "Filth" follows logically in Irvine Welsh's Edinburgh works,
all strong on Scottish identity, language and culture. His first of
these novels, "Trainspotting", was adapted into a masterpiece of a
film by Danny Boyle in the mid 1990s, a film that really captured
the time period in question with its particular problems and youth
culture. Filth isn't quite as relevant, and writer/director
Jon S. Baird is very obviously inspired by both Boyle's
groundbreaking work in
Trainspotting as well as
Stanley Kubrick's in
A Clockwork Orange (the scenes
with Dr. Rossi are practically nicked from the Mr. Deltoid scenes),
but if you're going to find inspiration in previous works, why not
from the very best.
There
are differences between these two Welsh adaptations, however.
First of all, our protagonist this time isn't an adventurous
heroin addict, but rather a completely amoral and misanthropic career
policeman with psychopathic tendencies. He is played by James
McAvoy, who looks aptly unkempt here and really makes Bruce his own.
His work is more reminiscent of Christian Bale's work in
American Psycho than Ewan McGregor's in
Trainspotting. And much like Patrick Bateman (or Alex De Large
for that matter), Bruce's lifestyle and conduct is so outrageous
that it's funny − ingeniously funny, actually. And director Baird
knows how to make us revel in this dubious form of fun, without
allowing us to lose our footing completely.
In
other words: Filth is wildly over the top and stylistically
excessive. But it works, thanks to Baird's ability to balance it all
against the more serious undertones. The stylized presentation of
otherwise horrible actions puts them into perspective, and through
these stylistics, we're able to get inside Bruce's head (hence
illness) before the plot brings us there. We're able to live and
breath Bruce, with everything that implies in terms of fun, pain and
shame. And so does McAvoy, who demonstrates his versatility and
range with this part.
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