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Flukten over grensen (2020)
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Director:
Johanne
Helgeland |
INTERNATIONAL TITLE
The
Crossing |
COUNTRY
Norway |
GENRE
Drama/War |
RUNNING
TIME
96 minutes |
RELEASED BY
Menemsha |
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Producer:
Cornelia Boysen |
Screenwriter:
Maja Lunde
Espen Torkildsen |
Cast includes:
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CHARACTER |
ACTOR/ACTRESS |
RATING |
Gerda |
Anna Sofie Skarholt |
Otto |
Bo Lindquist-Ellingsen |
Daniel |
Samson Steine |
Sarah |
Bianca Ghilardi-Hellsten |
Per |
Peter Førde |
Herman |
Luke Neite |
Hans |
Julius Robin Weigel |
Wilhelmine |
Kari Simonsen |
Egil |
Morten Svartveit |
Agathe |
Thea Borring Lande |
Vigdis |
Silje Breivik |
Dypvik |
Frode Winther |
Review
Well-meaning, thoughtful rendition –
partly based on real-life events – about how four children, two
ethnic Norwegians and two Jews, flee on foot from German soldiers in
cold Norwegian winter conditions during World War II. Their
destination is neutral, safe Sweden. And their journey involves
several physical and mental challenges, not least the wavering
loyalty between the children themselves. The writer Maja Lunde, upon
whose 2012 novel the film is based, clearly wants to make parallels
to current state of affairs regarding racial discrimination and
integration, something when coupled with the lead actors' obvious
contemporaneity at times gives the film a too modern and forced
feel. That being said, the child actors do very well to carry the
film and bring the story forward. They bring naturalness (Skarholt,
Steine), tension (Lindquist-Ellingsen), and charm
(Ghilardi-Hellsten) to the table, and they create a sympathetic,
composite group in what is not always the simplest of circumstances.
Because although the story has merit and is fascinating, first-time
feature director Johanne Helgeland isn't always able to make the
most of it. The action sequences are lacking spatially and are not
as well edited as they could have been. And the narrative comes off
as a little too neat and child-friendly. The latter may of course
have been fully intended. The film is solid and works, but young
audiences today can handle more complexity and realism than what
Flukten fra grensen is able to convey.
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