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Foxcatcher
(2014)
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Director:
Bennett Miller |
COUNTRY
USA |
GENRE
Biography/Drama |
NORWEGIAN TITLE
Foxcatcher |
RUNNING
TIME
134 minutes |
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Producers:
Megan Ellison
Bennett Miller
Jon Kilik
Anthony Bregman |
Screenwriters:
E. Max Frye
Dan Futterman |
Review
The
situation surrounding American wrestling impresario John du Pont and
his recruitment and hiring of Olympic wrestling champion brothers
Mark and Dave Schultz started as curious and ended as tragic,
something the people behind this gloomy film is more than happy to
wallow in. The story starts in 1987, three years after the Schultz
brothers won their Olympic gold medal, with younger brother Mark
feeling somewhat disillusioned with the World Championships coming
up. He's taken in by millionaire du Pont, played with a tremendous
focus on exteriors and extravaganza by Steve Carell, and made the
figurehead for his wrestling team Foxcatcher.
Without disclosing much more of the story, it's worth mentioning
that it is constantly engrossing and never dull, something Bennett
Miller somehow manages to make it through his ill-focused,
self-indulgent direction. The film is more interested in
characterizations than characters, and – much like du Pont himself –
sacrifices the sporting and human side of things for an perpetual
hunt for controversy. John du Pont may have been eccentric and
moody, and Mark Schultz may have been simple-minded and reserved,
but surely they didn't wear those labels in their faces at all
times.
Mark Ruffalo's Dave Schultz is the only real human being in this
film, but he's made into a secondary character, which is rather
surprising for those who know how this story ends. Unfortunately,
this is just one of several examples of how the filmmakers try to
bend this film into a shape that doesn't quite fit,
something which culminates when the pivotal scene is played out with only a pretence of accuracy,
by suggesting that
du Pont's defining act came as a direct consequence of the failure
at the 1988 Olympics. This lacking causality is only one of
Foxcatcher's problems, however. The hollow, emblematic performances by Carell and Tatum,
or the film's one-note mood are others.
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