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The
Getaway (1972)
    
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Directed
by:
Sam
Peckinpah |
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COUNTRY
USA |
GENRE
Action/Crime |
NORWEGIAN
TITLE
- |
RUNNING
TIME
122 minutes |
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Produced
by:
David Foster
Mitchell Brower |
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Written by
(based on the novel by Jim Thompson):
Walter Hill |
Review
Moody and morose film showing Peckinpah in retreat, trying to urbanize
the western, making it jazzy and chic. Steve McQueen is the instrument,
but he's an inane camera fixture, going through the motions technically,
but remaining an abandoned representative. That abandonment is also the
centre of Peckinpah's themes here, in which he demonstrates that the gritty
1970s
have removed all the fun from the once flourishing Texas bank robber on
the run to Mexico. He then spends oceans of time mourning the loss. In
the process, The Getaway is supposed to be tense and intriguing,
yet is so only in small segments. Peckinpah nevertheless shows his
class from time to time. There is a steaming eroticism early on, as
McQueen and MacGraw sweat it up together, and Peckinpah follows up with
fast, fancy cross-cutting that gives the film style if not substance.
In search of the latter, writer Walter Hill turns to the nasty and bizarre,
such as the romance between
Al Lettieri and Sally Struthers.
Although it attracts
interest, it remains an impassive observation. With the McCoy couple,
Peckinpah tries a little harder, but the material is mediocre, and
MacGraw is desolately out of her depth. Remade, for some reason, in 1994
with Alec Baldwin and Kim Basinger.
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