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The Ghost Writer (2010)
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Director:
Roman Polanski |
COUNTRY
France/Germany/UK |
GENRE
Thriller/Drama/Political |
NORWEGIAN TITLE
Polanskis Skyggen |
RUNNING
TIME
128
minutes |
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Producer:
Roman Polanski
Robert Benmussa
Alain Sarde
Patrick Wachsberger |
Screenwriter (based on the novel "The Ghost" by Harris):
Roman Polanski
Robert Harris |
Review
Roman Polanski's latest outing, The
Ghost Writer, is a slick and atmospheric political thriller much in
the mould of the typical political paranoia films of the 1970s (The
Parallax View,
Three Days of the Condor,
All
the President's Men). The red scare has been replaced
with the fear of terror, and the two seem to be equally handy bases for
a sub-genre of thrillers of more or less political importance and
relevance. As handled by Polanski, The Ghost Writer is one of the
more enlightened and clever entries.
Our protagonist is an unnamed ghost
writer (Ewan McGregor) who travel to the American residence of newly
retired British Prime Minister Adam Lang (Pierce Brosnan). Here he is to
edit Lang's memoirs for publishing, memoirs which were written by Lang's
previous ghost writer McAra, who recently drowned under suspicious
circumstances. And when McGregor suddenly finds himself as the
household's shared confidante, and discovers that there is something odd
with the wiring under the board, his focus turns from writer to private
investigator.
McGregor's committed and sympathetic
performance is the ideal hub for Polanski to subtly untangle his quite
powerful, but never outrageous plot. The film has a classic thriller
mood, in which the ever-present ambiguity gives the viewer no reason to
neither trust nor suspect anyone. As in politics in general, McGregor
must expect that everyone is putting on a show - the question is exactly
what the different acts are hiding. Williams, Cattrall, Wilkinson and
Brosnan, in probably his best performance since
GoldenEye, are all elegantly
surrounding themselves with apt doses of mystique. For anyone who likes
a little political charade and/or scandal, with more than a slight
parallel to real-life personas and situations, The Ghost Writer
is as classy and delicately directed as thrillers come. And it is even
able to deliver the required twists needed in the genre today without
waiving logic or reason - which is remarkable enough in itself.
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