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The
Guns of Navarone (1961)
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Director:
J. Lee
Thompson |
COUNTRY
USA |
GENRE
Action/War |
NORWEGIAN
TITLE
Kanonene på
Navarone |
RUNNING
TIME
157
minutes |
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Producer:
Carl Foreman |
Screenwriter
(based on the novel by Alistair MacLean):
Carl Foreman |
Review
This moral-soaked wartime drama believes itself to be a tale of heroics
filled with some human and ethic truths. Unfortunately, it is mostly
painfully staged gabble wrapped in banal, unrealistic WWII action.
MacLean adaptations range from the brilliant to the mediocre, but rarely
do they lack suspense as much as The Guns of Navarone does. The reason isn't the
story itself, or the payoff for that matter, but rather the poor
directing and acting leading up to it.
Director Thompson's pacing leaves a lot to
be desired, dwelling for minutes at parentheses and over-dramatized
interpersonal segments before rushing through important strategic
aspects of the mission in question - presumably for lack of the
shrewdness and knowledge needed to take us through it decently. And as
Thompson stumbles ahead, the acting worsens proportionally. Peck and
Niven both pull themselves through embarrassing emotional outbursts that
don't have the needed dramatic foundation, while every actor in
non-anglo-saxon parts are helpless against thoroughly stereotyped
characterizations. In the first couple of decades after the war, few
films could boast anything resembling objectivity or depth when it came
to the depiction of the "bad guys" in WWII, but in The Guns of
Navarone, these characters are more unauthentic and biased than you'll find
anywhere. If you want to see a good rendition of a MacLean WWII novel,
choose Where Eagles Dare
instead. It has the same dramatic structure but vastly superior
execution.
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