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Hell or High Water (2016)
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Director:
David Mackenzie |
COUNTRY
USA |
GENRE
Crime/Drama |
NORWEGIAN TITLE
Hell or High Water |
RUNNING
TIME
102 minutes |
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Producer:
Sidney Kimmel
Peter Berg
Carla Hacken
Julie Yorn
Gigi Pritzker
Rachel Shane |
Screenwriter:
Taylor Sheridan |
Review
In
Hell or High Water the old story of bank robbery, pursuit and
escape in Texas is revitalized and made topical without sacrificing
the old western spirit: the dream of freedom and breaking free of
the bonds of economic dependency is still at the heart of things,
and Scottish director David Mackenzie (Hallam Foe) is
intelligent enough to know that he needn't be too explicit about
raising the discussion of who are really the good and bad guys here.
Mackenzie's work is remarkable for a number of other reasons as
well, not least how he makes these dying Texan small-towns life look
so appealing and appalling at the same time. He sheds new light on
characters that are despairing descendants of the once so proud
cowboys who claimed and cultivated their pieces of land in order to
be able to live their lives independent of others. Today they are
again victimized and persecuted, claims the film, but by a
different, less palpable enemy. Taylor Sheridan's script portrays a
remarkably taut and powerful clash between the old and the new, in
more ways than one. And the fine quartet of actors in the lead roles
revel in their well-written characters, none more so than Ben Foster
who delivers a career-best, perhaps even career-defining performance
that will be worthy of any award nomination it can get. His Tanner
is willing to sacrifice anything for a feeling of freedom and
independence, and as the film closes elegantly and appeasingly, we
cannot escape the lingering feeling the he was right all along. It's
powerful and poetic, ugly and beautiful.
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