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Hiroshima
mon amour (1959)
Director:
Alain Resnais |
COUNTRY
Japan/France |
GENRE
Drama/Romance |
NORWEGIAN
TITLE
Hiroshima, min elskede |
RUNNING
TIME
86
minutes |
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Producer:
Anatole Dauman
Samy Halfon |
Screenwriter:
Marguerite Duras |
Review
Resnais's classic is
profoundly allegoric and viciously static. Hiroshima mon amour is
a character study of unforgiving proportions, intertwined with a review
of the horrors of WWII - on a macro and micro scale. The effect is
overstated by Resnais, who devours his wretched characters, making his
poetry blander and less immediate in the process. There is no doubt
about the intrinsic timelessness of the story and imagery (the latter is
potent in the film's first part), but time has not been kind to the
interpersonal aspect of this film, and there ultimately isn't much
timeless about Elle's whining and Lui's passive attendance. Resnais'
compositions and Delerue/Fusco's score is still of the highest standard.
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