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The Imitation Game
(2014)
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Director:
Morten Tyldum |
COUNTRY
United Kingdom/USA |
GENRE
Drama/War/Thriller |
NORWEGIAN TITLE
The
Imitation Game |
RUNNING
TIME
114 minutes |
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Producers:
Nora Grossman
Ido Ostrowsky
Teddy Schwarzman |
Screenwriter:
Graham Moore |
Review
Although The Imitation Game is a traditional biographical
drama formulaically speaking, it has a couple of x-factors which
elevates it above the run-of-the-mill level of some of the most
recent British biopics (Diana,
The Iron
Lady). One of these is the enigma that is Alan
Turing. Because although his life and antics are fairly well
documented, there are certain parts of it (for reasons obvious to
those who know the story) that are more open for interpretation – or
dramatisation, seen from these filmmakers' perspective. Another is
director Morten Tyldum's ability to saturate his picture with
tension and drive. I cannot vouch for the accuracy of how the film
portrays the proceedings at Bletchley Park (very few can, which means
that on a detailed level, the film can allow itself quite a bit of
creative freedom), but the interpersonal drama and power struggle
surrounding Turing and his fellow cryptanalysts – albeit somewhat
paradigmatic – gives the film a simmering, almost electric quality.
And as the story goes from drama via war thriller to romance and
ends in tragedy, it's almost impossible not to be immensely affected
by the story of Alan Turing, even if Tyldum and his fellow
filmmakers know a bit too well how to exploit it for maximum effect.
Brilliant performances by Benedict Cumberbatch and Keira Knightley
round off this well-made film.
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