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John and Mary (1969)
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Director:
Peter Yates |
COUNTRY
USA |
GENRE
Drama/Romance |
NORWEGIAN TITLE
John
og Mary |
RUNNING
TIME
92
minutes |
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Producer:
Ben Kadish |
Screenwriter (based on the novel by Mervyn Jones):
John Mortimer |
Review
John and Mary opens with a
chance encounter at a pub between a young man (Dustin Hoffman) and woman
(Mia Farrow). Their starting point is a discussion about Jean-Luc
Godard's Le Weekend,
and that very much outlines what kind of characters, not to speak of
film we're dealing with here; John and Mary are young intellectuals with
an unusually analytical outlook on life (it's almost as if they were
written), and the film itself, as directed by Peter Yates, has found
more inspiration in the French New Wave than merely a reference in the
plot. This is an unassuming film about life and love for 20-somethings
in late 1960s New York, and it is told with rapid use of unnotified
flashbacks and long, naturalized takes. Remarkably, the film remains
relevant in many ways. Seen today, it works not only as a document of
bygone traditions and ways, but also serves to link the dating culture
of the 21st century to its predecessor generation. Even though the film
–
through its stagy nature and the dialogue between our two
protagonists
–
keeps a certain theatrical distance to its audience, the interplay
between an effectively confident Hoffman and an appropriately sensitive
Farrow (fresh off of filming
Midnight Cowboy and
Rosemary's Baby,
respectively) helps make John and Mary a dynamic romantic drama
that is both delightful to watch and worthy of afterthought – even
today, more than forty years after its release.
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