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Kes (1969)     
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Director:
Ken Loach |
COUNTRY
United
Kingdom |
Genre
Drama |
NORWEGIAN
TITLE
Kes –
haukungen |
RUNNING
TIME
112
minutes |
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Producer:
Tony Garnett |
Screenwriter (based on the novel "A Kestrel for a Knave" by Barry
Hines):
Barry Hines
Ken Loach
Tony Garnett |
Review
Ken Loach's second feature
film is bleak, symbolic social realism about the despondence and lack of
prospects for youngsters in mining-based communities in contemporary
Yorkshire. Filmed on location in Barnsley with mostly unprofessional
local actors, the movie has that rare combination of artistic naivety
and an assured voice – the work of a young, ambitious filmmaker with a
clear agenda and artistic talent, but not very much experience. Loach
took a chance on the local 15-year-old David Bradley, put his camera on
him, and let him carry much of the drama with what turned out to be a
telling, subdued performance. And through its dual main theme – a
tribute to mother nature and the endless possibilities it gives, but
which Billy only gets a small whiff of – the film attains a timeless,
lyrical quality.
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