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Last Night in Soho (2021)
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Director:
Edgar Wright |
COUNTRY
United
Kingdom |
Genre
Drama/Thriller/Horror |
NORWEGIAN
TITLE
Last
Night in Soho |
RUNNING
TIME
116
minutes |
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Producer:
Nira Park
Tim Bevan
Eric Fellner
Edgar Wright |
Screenwriter:
Edgar Wright
Krysty Wilson-Cairns |
Review
Edgar Wright (Shaun
of the Dead,
Scott Pilgrim) invites us to a magical recreation of the
1960s and Swinging London for a part homage of the era's music and
fashion and part lambasting of the people and values in it. Experiencing
it all with a 2021 point of view is Ellie (Thomasin McKenzie), an
old-fashioned country-girl with psychic powers who moves from Cornwall
to London to study at the London College of Fashion and finds that
'London is a bit much', as her grandmother had put it. The originality and
fresh angle is there, perhaps even more so than in Wright's other
ventures, and for half its running time, Last Night in Soho keeps
you pinned in anticipation of what to come and how all its genre-bending
pieces will fit together in the end. Along the way we get creative
transitions between present-day challenges and 1960s thrills, with
immaculately elegant compositions of the latter. We are intrigued by the
characters of Jack (Matt Smith), Lindsay (Terence Stamp) and Ms. Collins
(Diana Rigg, in her last performance), but as the final third
approaches, Wright resorts to cheap horror techniques to keep us
unnecessarily in the dark, and the fascinating Stamp character turns out
to be badly underdeveloped. The ending is a big let-down and a complete
raid of horror-cliches. Yes, Wright's story holds up logically within
its own realm, but he had promised us so much more than two-faced
cartoon baddies and worn-out ghost explanations.
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