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The
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Director:
Peter
Bogdanovich |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN
TITLE
-
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RUNNING
TIME
121
minutes |
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Producer:
Stephen J. Friedman |
Screenwriter
(basert på romanen av McMurtry):
Peter
Bogdanovich
Larry McMurtry |
Review
For
a brief moment of time, Peter Bogdanovich was one of the freshest and
boldest young filmmakers around. Picking up a paperback edition of Larry
McMurtry's social satire, Bogdanovich assembled an expertly chosen cast
and went on location in Texas to shoot this fine study of
intergenerational life in a dying, rural town. Bogdanovich's direction
here is delicately subtle. His camera tails the diverse gallery of
characters in an almost ghostly manner. The interpersonal drama is
engaging, at times powerful, but the foremost achievement with The
Last Picture Show is its timing and relevance. Incidentally, the
report of the decline of American townlife was perhaps even more
generally applicable at the release of the film than in 1952, which
undoubtedly helped generate the buzz from contemporary critics and
audiences alike.
The
Last Picture Show is beautifully photographed in black and white,
framing haunting images of wide, remote and secluded land, with largely
corresponding people. This is a world where the old mentality gets tangled
in the new set of morals, which include sexual liberation and the rise
of the youth culture. And Bogdanovich suggests that neither one nor the
other will make us any happier. If anything, the film can be criticized
for a lack of optimism, but that doesn't mean it is humourless.
The
performances are fine throughout. Timothy Bottoms' intelligent,
sensitive performance in the lead makes his subsequent decline
completely incomprehensible. And Burstyn, Leachman and Brennan convey
the wisdom and ache of a generation in their supporting roles. On the
other hand, Cybil Shepherd might not have gone on to become the next
Katharine Hepburn, but here in her film debut, she was one of the most
delicious young things ever to grace the big screen. Of course,
Bogdanovich couldn't help falling for her, and he would never make as
important a picture again.
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