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Lilith (1964)
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Director:
Robert Rossen |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
Lilith |
RUNNING
TIME
114
minutes |
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Producer:
Robert Rossen |
Screenwriter (based on the novel by J.R. Salamanca):
Robert Rossen |
Review
Warren Beatty allegedly made such a
nuisance of himself on the set of Lilith that Robert Rossen
eventually drank himself to death. That is obviously the extreme
version, but there is at least no doubt that Rossen had all kinds of
problems keeping this potentially interesting tale alive. Beatty, for
all his off-screen hassle, looks and sounds great in his newly developed
Brandoish mumble. It's ironic – or perhaps a testament to Beatty's
foresight – that his at the time criticized mumbling comes off as the
most natural piece of diction in the film. With that said, his smug,
overthought performance still is an annoyance to watch. He and Seberg
may seem to harbour a fascinating depth to them, but if so, Rossen is
never able to call this to the surface. Instead Lilith remains a
detached, soporific film full of psychoanalytical babble and alleged
symbolic interpretations – all very beautifully shot on location in
Maryland. Seberg is sexy as hell in the title role, but has little more
than that mischievous look to offer. Gene Hackman steals his one scene
as the jovial husband of Beatty's ex-girlfriend. If you're interested in
filmatic portrayals from psychiatric institutions, Milos Forman's eleven
years junior
One Flew Over the Cuckoo's
Nest is a film with far more power and purpose than this
oddity.
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