|







 
|
 |
The Little Girl Who
Lives
Down the Lane (1976)
    
_150w.jpg) |
Directed
by:
Nicolas
Gessner |
|
COUNTRY
Canada/France |
GENRE
Drama/Mystery/
Romance |
NORWEGIAN TITLE
Den
lille piken nederst i veien |
RUNNING
TIME
100
minutes |
|
|
Produced
by:
Zev Braun |
|
Written by
(based on his novel):
Laird Koenig |
Review
As refreshing as decades-old films
come, made at a time when artistic freedom was not only valued in
Hollywood, but more or less the norm. The Little Girl Who Lives Down the
Lane is a film deriving from genre conventions, but made free from
these rules. It is a film about moral issues, but completely free of
moralizing. And it's a film about exploitation, but without being
exploitative – almost. (Because the talk of the town was 13-year-old
Jodie Foster's butt, which was really her 20-year-old sister's butt.
This is a discussion about film production, however, not the artwork
itself, and thus largely irrelevant – especially thirty-five years later).
The real relevance here lies in the
film's two atypical approximations of standards: one formal, one
thematic. The former concerns how the film uses the typical build-up and
expectations of the horror genre to create a tension which is never
released as expected in this genre. This gives the film a level and type
of suspense which sets it apart and gives it its own, vibrant identity;
an eerie mystery with integrity. The latter concerns how the film treats
the title character, who is brilliantly and maturely portrayed by Jodie
Foster, like an adult in every respect; precisely in order to contrast
and thereby slightly criticize – or at least question – society's
perception of her. How can a 13-year-old girl live alone? Society treats
this as a deviation; the film itself makes no fuss about it, taking it at face value.
And this conflict gives The Little Girl
Who Lives Down the Lane a relevance which is not an ounce reduced
today. The sensible direction by Nicolas Gessner adds to the effect, and
so do the wholehearted performances by young Scott Jacoby as the
boyfriend, and Martin Sheen as the creepy guy next door.
|
|