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Un
long dimanche de fiançailles
(2004)
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Director:
Jean-Pierre
Jeunet |
COUNTRY
France |
GENRE
Drama/Romance/
War/Mystery |
NORWEGIAN
TITLE
En langvarig
forlovelse |
RUNNING
TIME
134
minutes |
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Producer:
- |
Screenwriter:
Jean-Pierre
Jeunet
Guillaume Laurant |
Review
Jean-Pierre Jeunet's follow-up to his
remarkably successful Le Fabuleux destin d'Amélie Poulain is a
pompously overproduced and structurally pretentious film full of
interesting aspects - both historically and characterologically. Jeunet
goes for a flamboyant mix and match of romance, history and mystery, and
nearly gets away with it. The romance is delicate, effective and
beautifully conveyed, and as a document of war, the film is agonizingly
explicit (almost poetically realistic) and offers harrowing observations
wrapped in a fragmentary narrative.
The gallery of character introduced in
this film is substantial (to say the least), which at the same time
enhances the complexity of the narrative and helps make the mystery
elaborately confusing (or perhaps too elaborately confusing). Because,
even though there are wonderful moments of filmmaking, and the film has
a production design and tone that is both captivating and handsome,
Jeunet over-emphasizes his mystery and deceives his viewers by
alternating the exposition of various characters. Ultimately, he'd
rather include new aspects than keep the ones already introduced
relevant. It gets messy both in form and narrative, but never visually
or emotionally. The Audrey Tautou character remains potent and convincing
throughout, but Jeunet cannot entirely hold his film together, although
he has some wonderful moments. A subplot involving Jodie Foster has a
delightful sexual tension and so does the love scenes between Ulliel and
an enjoyably veiled erotic Tautou. Unfortunately, Jeanet's mystery isn't
as intriguing as he wants it to be.
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