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Look Who's Talking (1989)     
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Director:
Amy Heckerling |
COUNTRY
USA |
GENRE
Romantic comedy |
NORWEGIAN
TITLE
Se,
han snakker |
RUNNING
TIME
96
minutes |
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Producer:
Jonathan D. Krane |
Screenwriter:
Amy Heckerling |
Review
A cute little comedy about a
baby whose newborn thoughts and experiences are vented to us from a
semi-grown-up perspective by Bruce Willis. The angle is equal measures
funny and moronic, which probably helps explain the film’s enormous
box-office success. It was the fourth highest-grossing film of 1989 in
the United States. And it helped consolidate and reboot the careers of
Kirstie Alley and John Travolta, respectively. The writer/director was
Amy Heckerling (Fast
Times at Ridgemont High) and her work obviously
was just about unsubtle enough to create a common ground for large movie
audiences of both sexes. Followed by two sequels.
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