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The
Man With the Golden Gun (1974)     
Preceded by:
Live and Let Die (1973)
Succeeded by:
The Spy Who Loved Me (1977)
See our
full list
of James Bond films.
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Director:
Guy Hamilton |
COUNTRY
UK/USA |
GENRE
Spy/Action |
NORWEGIAN
TITLE
Mannen
med den gyldne pistol |
RUNNING
TIME
125
minutes |
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Producer:
Harry Saltzman
Albert R. Broccoli |
Screenwriter:
Richard Maibaum
Tom Mankiewicz |
Review
Director Guy Hamilton later said that this
was the only Bond film he regretted making, and it's hard to fault him
for that sentiment because not much is working in this, Roger Moore's
second outing in the series. The main plot takes 007 on a tour of
Southeast Asia in pursuit of a villain of unclear background, motivation
and, for most of the picture, relevance. Christopher Lee rivals Moore in
everything from sophistication to harmlessness. It's like watching a
discarded James Bond script being read out loud. Neither the two leads
or any of the film's other anemic elements are able to make this entry
in the series come alive. Bond himself is a stiff know-it-all who
obviously looks down on all the secondary creatures who cross his
path in here, meaning women, Asians and Americans. And speaking of the
latter, Clifton James, as the Louisiana sheriff who by chance becomes
Bond's henchman for a while, is probably the most annoying 007 accomplice of
the entire series. He's an unfunny bully who seems to have been included
only to make Bond's otherwise lame one-liners appear a little less
insulting. Only the ever-dependable Soon-Taik Oh comes away from this
picture with any sort of dignity. The worst 007 of the Moore era, it's
a film that looks and feels a lot older than it actually is.
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