|
|
Mank (2020)
|
Director:
David Fincher |
COUNTRY
USA |
Genre
Biographical
Drama |
NORWEGIAN
TITLE
Mank |
RUNNING
TIME
131
minutes |
|
Producer:
Ceán Chaffin
Eric Roth
Douglas Urbanski |
Screenwriter:
Jack Fincher |
Review
With its crackling
black-and-white cinematography and sound production, Mank not
only transports you back to 1930s Hollywood on a sightseeing trip, it
welcomes you back as if you never left. And the narrative is presented
likewise – as if there's complete confidentiality between you and this
group of people from the elite of Old Hollywood. The film is David
Fincher's first since
Gone Girl back in 2014 – the
longest interval he's ever had between two movies. And the reason may
well be the unusual development history here, because Mank is
based on a screenplay Fincher's father Jack wrote before his death in
2003. One of the reasons the film didn't materialize back then was
Fincher's insistence on shooting in black-and-white, which of course
turns out to be an important part of the aforementioned time travel.
Admittedly, the film demands some sort of prior knowledge of or devotion
to the era in question, the people populating it, or at least
Citizen Kane – the seminal film around which Mank is spun. A
film that has defined movie history to such a degree that Fincher wisely
avoids the risk of appearing arrogant by simplifying or over-explaining
its mythos. Instead, he invites us viewers to make an effort ourselves.
If you're up for that, which probably most people choosing to watch
Mank is, this is a highly rewarding and informative delve into the
details and mentality of the movie industry's fascinating youth. And
there are also fun and delightful performances by several talented
actors, most notably Amanda Seyfried, Charles Dance, Ferdinand Kingsley,
and of course the ever dependable Gary Oldman.
|
|