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Marathon Man
(1976)
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Director:
John
Schlesinger |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN TITLE
Maratonmannen |
RUNNING
TIME
125
minutes |
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Producer:
Sidney Beckerman
Robert Evans |
Screenwriter (based on his novel):
William
Goldman |
Review
Marathon Man was
widely hailed at the time of release, probably mainly for its
determination to rectify and avenge some of the wrongdoings of WWII by
letting the great Sir Laurence Olivier embody a dead ringer for Dr.
Joseph Mengele, who along with other Nazi veterans were living in hiding
in various South American countries at the time. And indeed it was and
remains a watchable movie, spun around the classic 1970s paranoid
thriller formula which often made films and narratives seem more
promising and thought-out than they eventually revealed themselves to
be.
As directed by the talented
but not exactly visionary John Schlesinger, Marathon Man is a
crude film filled with plot distortions and overamplified set pieces,
many of which nonetheless work and suck you in. There is particularly
one effective scene towards the end in which the antagonist is forced to
face his past when recognized on the street. This is one of just a few
moments when Olivier's performance comes to full effect and the film is
hitting a real nerve (a task which is famously left to Olivier's
character in other parts of the film). Both he and Hoffman go to great
lengths with their characters, but unfortunately, they're not always
getting the help they deserve from the script, which is muddled and
inconsistent. To compensate, Schlesinger tries to engage us with blatant
and aggressive cuts and scenes, borrowing Peckinpah's violence but not
style, but if anything, they do more to accentuate than hide the film's
recurring affectation.
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