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Marerittet (2022)
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Directed by:
Kjersti Helen Rasmussen |
COUNTRY
Norway |
Genre
Horror/Thriller |
INTERNATIONAL TITLE
Nightmare |
RUNNING TIME
100 minutes |
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Produced by:
John Einar Hagen
Einar Loftesnes |
Written
by:
Kjersti Helen Rasmussen |
Review
A horror story set in and
around an old apartment in Bergen, Norway, which the young couple
of Mona and Robbie move into. And soon after, Mona finds herself ridden by
insomnia, sleep paralysis and nightmares (in the etymological sense of
the word). This fairly intriguing premise is handled with some ambition by director Kjersti Helen Rasmussen, who
tries to suck us into her protagonist's traumatic experiences by shifting
seamlessly between dreams and reality, just as Mona herself
would experience the situation. Although this may seem effective in theory,
it doesn't quite work here, because the movie oversells its horror
inclinations and creates an atmosphere in which the psychological facets
of the story are gradually downplayed and replaced by mythology and
superstition. The end result is a film that doesn't quite know what it
wants to be. There is a fine lead performance
by the talented Eili Harboe (Thelma), even though her
character's predicament and the actress' solid dramatic work in the end is traded
in for some all too familiar horror tropes. Dennis Storhøi, who was so
effective as pianist Arthur Berg in the mini-series A Storm for
Christmas last year, doesn't quite seem to believe in his character
as the mysterious psychologist who Mona turns to for help.
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