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The Men
(1950)
    
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Directed
by:
Fred Zinnemann |
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COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
Mennene |
RUNNING
TIME
85
minutes |
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Produced
by:
Stanley Kramer |
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Written by:
Carl Foreman |
Review
After having declined more than one
standard seven-year studio contract offer from Hollywood, the hottest young
theatre actor on Broadway, 25-year-old Marlon Brando, signed on with
Fred Zinnemann and Stanley Kramer (Judgement
at Nuremberg) to make his screen debut with this anti-war
drama entitled The Men. And Zinnemann's unusual pursuit of authenticity, represented among other things by
his use of 49 actual
hospitalized war veterans, provided the perfect backdrop for the introduction of
Brando's groundbreaking, later-dubbed method acting – an acting technique
advocated and taught by Stella Adler, and already well-honed by Brando
himself on stage.
What's so great about Brando in these early films, in
addition to his unequalled acting technique and prowess, is his hunger
and ambition – a trait which unfortunately waned during the course of his
career. In The Men, he is full of youthful energy and a determination
to show the world what he could do. And what he could do! His
performance here is an augury of things to come the following year when
he and Elia Kazan adapted Tennessee Williams' long-running play
A Streetcar
Named Desire. The
performance in The Men is almost as good: so full of power and depth that
his classicist co-star Teresa Wright, despite giving a fine performance,
looks very dated next to him. In addition to Brando, The Men
boasts a semi-pioneering human approach from director Fred Zinnemann. He's not at all political in his criticism or glamorising in his
characterisations, but simply offers modern, probing human drama, which
has enabled this film to stand the test of time remarkably well.
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