|
|
The Men
(1950)
|
Director:
Fred Zinneman |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
- |
RUNNING
TIME
85
minutes |
|
Producer:
Stanley Kramer |
Screenwriter:
Carl Foreman |
Review
After having declined more than one
standard 7-year studio contract offer from Hollywood, the hottest young
theatre actor on Broadway, 25-year old Marlon Brando, signed on with
Fred Zinneman and Stanley Kramer (Judgement
at Nuremberg) to make his screen debut with this anti-war
drama entitled The Men. And Zinneman's unusual want for
authenticity, represented among other things by him using 49 actual
hospitalized war veterans, was hand in glove for the introduction of
Brando's groundbreaking later dubbed method acting, an acting technique
proponed and taught by Stella Adler, and already well honed by Brando
himself on stage.
What's so great with Brando in these early films, in
addition to his unequalled acting technique and prowess, is his hunger
and ambition - a trait which unfortunately waned during the course of his
career. Here, however, he is full of youthful energy and a determination
to show the world what he could do. And what he could do... His
performance here is an augury of things to come the following year when
he and Elia Kazan adapted Tennessee Williams' long-running play
A Streetcar
Named Desire. And the
performance here in The Men is almost as good; so full of power and depth that
his classicist co-star Teresa Wright, despite giving a fine performance,
looks very dated next to him. In addition to Brando, The Men
boasts a semi-pioneering human approach from director Fred Zinneman;
he's not at all political in his criticism or glamorizing in his
characterisations, but simply offers modern, probing human drama which
has enabled this film to stand the test of time remarkably well.
|
|