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Mignonnes (2020)
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Director:
Maïmouna Doucouré |
INTERNATIONAL TITLE
Cuties |
COUNTRY
France |
Genre
Drama |
NORWEGIAN
TITLE
Cuties |
RUNNING
TIME
96
minutes |
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Producer:
Sylvain de
Zangroniz |
Screenwriter:
Maïmouna Doucouré |
Review
Growing up and navigating the
different arenas of life sure isn't easy for 11-year old Amy (Fathia
Youssouf), a Parisian with Senegalese background. She has no friends in
her school's combative schoolyard, she's expected to undergo a very
traditional training in antiquated Muslim values and gender-roles at the
hands of her strictly religious aunt, and then she's got the hormones of
puberty raging through her body, tickling her curiosity for sex and all
that this entails with regard to popularity and social positioning.
Trying to juggle these conflicting interests and expectations has always
been hard, but try doing it in the midst of the Internet culture and
you're almost certain to fail. That is what writer/director Maïmouna
Doucouré wants to (or rather is compelled to) tell us with her
hard-hitting, at times provocative, but always poignant and weighty film
Mignonnes. The way Doucouré is able to invite us under Amy's skin
and into her ostensibly well-hidden frustrations and despairs is a
testament to the veracity of her story and to how well she understands
not only the dilemmas and cultural collisions at hand, but also how she
remembers how it was to be thrown into puberty armed with little more
than the knowledge of childhood. Doucouré gets a fantastic performance
from the immensely talented Fathia Youssouf as we get to follow her
quest for finding an in-group, her new self, and her place in a viable
middle-ground between archaic religious practices and a desensitized
social media era.
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