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The Missouri Breaks
(1976)
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Director:
Arthur Penn |
COUNTRY
USA |
GENRE
Western |
NORWEGIAN TITLE
Missouri Breaks |
RUNNING
TIME
126 minutes |
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Producers:
Elliott Kastner
Robert M. Sherman |
Screenwriters:
Thomas McGuane |
Review
This underrated
gem was outrageously slaughtered by contemporary critics who clearly
didn't understand Arthur Penn's revisionist and nuanced look at the
American west, or Marlon Brando's brilliant, eccentric performance
as the gun-man and regulator Lee Clayton. Seen today, however,
The Missouri Breaks has aged wonderfully and appears far more
modern and rich than most of its more genre-loyal contemporaries.
The film is an erratic western drama laden with humour, tension and
contradictions, and Penn shifts elegantly from one mood to another. He was
also one of the rare directors who didn't get in Brando's way (or on
his nerves) and allowed him to express himself and improvise, and
the result is not only one of Brando's most enjoyable performances,
but also one of the most progressive and inventive ones from this
period. Only in recent years has it gained the praise that it
deserves. There's also great work from Jack Nicholson, in another
powerful (if somewhat overshadowed) performance, Kathleen Lloyd as
his libidinous love interest, and Harry Dean Stanton as his
steadfast right-hand. Another of the film's strong points is John Williams' musical score,
which is probably
the best of his non-classical ones.
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