






 
|
 |
Mr.
Brooks (2007)     
Director:
Bruce A. Evans |
COUNTRY
USA |
GENRE
Drama/Thriller |
NORWEGIAN
TITLE
Mr. Brooks |
RUNNING
TIME
120
minutes |
|
Producer:
Kevin Costner
Raynold Gideon
Jim Wilson |
Screenwriter:
Bruce A. Evans
Raynold Gideon |
Review
Mr.
Brooks proceeds as a happy-go-lucky film full of energy, with
ostensibly random explanations and conceptual systems. It's like a campy
runaway TV-series or B-movie that just happens to be populated with a
marvellous set of characters and handled with singular confidence by a
director who one really shouldn't expect such confidence from. With that
said, there were similar elements in Bruce A. Evans only other film as a
director, the
15 year old Kuffs:
viewer-friendly off-hand qualities that both make Mr. Brooks hard to
resist as well as give it an immediate freshness that a lot of films in
this and other genres tend to lack after years of recycling ideas.
Kevin
Costner is the brilliant murder addict Mr. Earl Brooks. He is an
emotional and loving husband and father, not a psychopath at any range,
but he always has his imaginary friend/alter-ego, Marshall (William
Hurt) with him. Earl is the rational, balanced one, Marshall is his
primal, emotive counterpart – it is he who has the lust and the
blood-thirst, but it is also he who exhibits the joie de vivre. A
resonant comment about western civilization's constrained suburban
living. Along the way Mr. Brooks must deal with a caring wife, a volatile daughter, a
no-nonsense detective trailing him, and a peculiar hobby
photographer that seems to suddenly have the upper hand on him.
The
brilliance of Mr. Brooks isn't psychological accuracy or
groundbreaking thematics, but rather its fresh tone and rhythm. It is
one of those films that seems to always be one step ahead – probably
because it is stepping in so many different directions at once. The film
combines the conventional and trite with the thoroughly unpredictable in delicate
fashion. The biggest of many treats is the interaction between Earl and
Marshall – one of the most beautiful and original movie friendships I
have seen in a while. It's a clever move by Evans to portray their relationship
as if it were the most natural one in the world – without explanations
or questioning, because that is arguably the way someone who has been
living with a guy like this inside his head for an entire lifetime will
perceive it. Their complementary and involuntary relationship
has a great deal of romance in it too. It is great to see Kevin Costner as
loose and comfortable as he is here. And William Hurt is an absolute
delight as Marshall – the guy we all would want to be every once in a
while.
|
|