







|
 |
Murder in the First
(1995)     
|
Director:
Marc
Rocco |
COUNTRY
USA |
Genre
Crime/Drama |
NORWEGIAN TITLE
Døden
på Alcatraz |
RUNNING
TIME
122 minutes |
|
Producers:
Marc
Frydman
Mark Wolper |
Screenwriter:
Dan Gordon |
Review
Marc Rocco's Murder in the First
presents an interesting story based on the real-life case which spurred the
closing down of Alcatraz prison, but the narrative and the film's at time
compelling atmosphere is overshadowed by a somewhat banal form and an annoying
self-importance: The picture is so self-absorbed with its own moral high ground
that you eventually feel offended by its lecturing. It's like a movie for people
living in the era depicted. Kevin Bacon's strong performance isn't necessarily
wasted, but it's neither consolidated by Rocco, who wastes a good opportunity to
make an engrossing, heartrending film. Christian Slater, Gary Oldman and R. Lee
Ermey contribute with engaging, somewhat underdeveloped performances.
Copyright © 23.10.1996
Fredrik Gunerius Fevang
(English version: © 03.12.2021 Fredrik Gunerius Fevang) |
|
|
|