






 
|
 |
My Man Godfrey (1936)
    
|
Director:
Gregory La Cava |
COUNTRY
USA |
GENRE
Screwball comedy |
NORWEGIAN TITLE
Godfrey kan alt |
RUNNING
TIME
94 minutes |
|
Producer:
Charles R. Rogers |
Screenwriters:
Eric Hatch
Morrie Ryskind |
Review
Don't
judge a book by its cover, except if the book in question is a
spoiled, well-to-do daughter of socialites. This quintessential
screwball comedy combines fast-paced dialogue with some clever
twists and turns, as the contrasts between rich and poor in
Depression era New York City are dissected. William Powell plays a
"forgotten man" living in a dump who is invited to work as a butler
for an eccentric, socially impaired socialite family. There he waits
tables – and ultimately turns them. The film is amiable and
righteous to a fault, and the quips don't at all feel as dated as
the inevitable, bone-dry romance between real-life ex-spouses Powell
and Carole Lombard. The film would have been more effective had
Lombard and Alice Brady, as the mother, played their roles with a
hint of realism, like the far more interesting Gail Patrick does as
the mischievous sister. Nominated for six Oscars at the 9th Academy
Awards in 1937, but won none.
|
|