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My Name Is Joe
(1998)
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Director:
Ken Loach |
COUNTRY
United
Kingdom |
GENRE
Drama |
NORWEGIAN TITLE
Mitt
navn er Joe |
RUNNING
TIME
105
minutes |
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Producer:
Ulrich Felsberg
Rebecca O'Brien |
Screenwriter:
Paul Laverty |
Review
As
far removed from Hollywood's glamour as can come is Ken Loach's take on
working-class life in Glasgow, in this film centered around a recovering
alcoholic named Joe. Or rather non-working class, because the poverty
and despair of the struggling late 1990s characters in My Name Is Joe
feel as palpable as real unemployment. Loach describes the hopelessness
of post-Thatcher peripheral Britain, much like Danny Boyle did in
Trainspotting
or Peter Cattaneo did with
The Full Monty during the same
period, only without the flashiness of the former or the bubbling
positivism of the latter. Loach's characters are utterly and
fundamentally sad
– even when they
are trying to have some fun. And since they have been in this rot for a
long time, their destructiveness and, to be honest, often lack of
redeemable qualities almost makes you feel they deserve their bad luck.
Loach certainly gives them nothing for free.
Still, and as you may have learned by now, love has its way, and the
romance between Joe and a well-doing health visitor named Sarah comes
with a rare filmatic bareness and honesty. The lack of any kind of
classical romanticism between them brings out another aspect: how much
these two need each other; theirs feels like a romance borne out of
necessity and circumstance, not plot-convenience. Like he has become
known for doing over the years, Ken Loach strips his characters and
environments down and presents them to us as they are. My Name Is Joe
does tests the audience's zeal and goodness, but ultimately even Ken
Loach rewards his most patient viewers.
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