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Napola
- Elite für den Führer (2004)
Director:
Dennis Gansel |
COUNTRY
Germany |
GENRE
Drama |
NORWEGIAN
TITLE
Der Führers
elite |
RUNNING
TIME
110
minutes |
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Producer:
Molly von Fürtsenberg
Viola Jäger
Harald Kügler |
Screenwriter:
Dennis Gansel
Maggie Peren |
Review
Here
is Swedish film Ondskan's
more historically potent and less showy twin, and another example of the
decency and balance that has encompassed German filmmaking in recent
years - particularly when it comes to depiction of WWII matters,
something that German cinema has not been ready for until recently. In Napola,
the young director Dennis Gansel gives us a riveting look into how kids
(notably the most talented ones) were trained into embracing the Nazi
ideology. It is a film more about values than war, and it is a strong
study of the fine line that separates right from wrong, a valuable film
for its ethics. The film is equally accomplished on the visual side,
with its crisp and captivating photography capturing the time in
question better than most films set during the era. The casting is a key
here, both in giving the film the right historical feel and also in the
number of erotic suggestions between the boys. Particularly great
performances come from Schilling, Striesow and Drechsel, as well as
Riemelt in the lead. Like Sophie
Scholl, this film has the ability to go into the depth of
WWII era Germany without bias (or at least with little bias) in order to
explore the subtler elements in the machinery. In Gansel's view, Nazi
Germany was a brilliantly effective and prominent society with values
that are not only lost today, but also largely missed. Its only drawback
was that it was founded on a completely fouled ideology.
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