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Nomadland (2020)
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Director:
Chloé Zhao |
COUNTRY
USA |
Genre
Drama |
NORWEGIAN
TITLE
Nomadland |
RUNNING
TIME
108
minutes |
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Producer:
Frances McDormand
Peter Spears
Mollye Asher
Dan Janvey
Chloé Zhao |
Screenwriter:
Chloé Zhao |
Review
This unremarkable film about a
remarkable lifestyle is intriguing, but leaves a lot to be desired both
thematically and artistically. Frances McDormand plays a woman who after
losing her job and husband, her two beacons in life, takes odd jobs and
seasonal labour while living out of her van. She finds what looks to be
likeminded people in an Arizona camp organized by notable vandweller Bob
Wells. And as we follow her there, director Chloé Zhao seems to be
introducing us to the way of life and a community suggested by the
film's title. Zhao has a naturalistic approach which gives her scenes a
sense of urgency, but the craftsmanship is sloppy. The scenes don't
connect together; they have no internal structure, something which often
leaves them flat. Plus, and more pressingly, for a film about a nomadic
lifestyle, the picture is weak at portraying the spatial aspect. We get
no sense of the road, of the distances travelled, or of the spaces Fern
and her friends inhabit. The film's appreciation of nature and
landscapes
resembles a postcard – beautiful but flat. In other words, Zhao leaves
much of the work to McDormand, who interprets the role of Fern with her
usual zealousness and creates a layered character whom I suspect would
have been more interesting to get to know at another time in her life.
Nomadland is a useful character study of a restless woman who cannot
quite seem to find her new place in life after a heartbreaking upheaval. But
it's a disappointing and somewhat clumsy peek into the nomadic
lifestyle.
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