|
|
One-Eyed
Jacks (1961)
Director:
Marlon
Brando |
COUNTRY
USA |
GENRE
Western/Drama |
NORWEGIAN
TITLE
One-Eyed
Jacks |
RUNNING
TIME
141
minutes |
|
Producer:
Frank P. Rosenberg |
Screenwriter
(based on a novel by Charles Neider):
Guy Trosper
Calder Willingham |
Review
The
one and only film Marlon Brando ever directed is just as moody, dwelling
and distressed as Marlon himself. It is an overlong film filled with
juxtapositions of right and wrong portrayed more deeply and probingly
than was accustomed or even allowed in westerns at the time. But then
again, One-Eyed Jacks never turned out a western in the John
Fordish sense of the word, which is no surprise considering Brando's
affiliation. There are no vivid descriptions of ways of life, and no
warmth of atmosphere. The film is completely void of nostalgia, which is
rather rare for a western. Even Sergio Leone's cruel rendition of
western life had that soft spot. In all probability this simply didn't interest
Brando. What One-Eyed Jacks did was to give him a chance to explore the human
psyche, which he did excessively, inconsiderately and with a fair share
of that well-known arrogance of his.
After Brando produced a first cut of the
film at five hours, the studio trimmed the film down to its meagre two
and a half hours to fit conventions. And while this saves us from what
would have been an indigestible chunk of Brandoisms, it also deprives
the film of some depth - making certain segments somewhat loosely
motivated, and ultimately, the romance even mushier than Brando and
Pellicer are able to make it in the scenes they share. The film is
naturally at its most interesting concerning the Brando/Malden relation,
which is one of timeless and explosive proportions. Brando does well in
leaving the friction between the two simmering throughout the movie, it
gives the film suspense and tension. And Malden is the director's most
powerful instrument, giving a riveting and complex performance. For all
Marlon Brando's eccentricities, or perhaps because of them, it is a pity One-Eyed
Jacks remained his only directorial entry.
|
|