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The Only Game in
Town (1970)
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Director:
George Stevens |
COUNTRY
USA |
GENRE
Drama/Romance |
NORWEGIAN TITLE
Det
eneste spillet |
RUNNING
TIME
113 minutes |
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Producer:
Fred Kohlmar
Edgar Lansbury |
Screenwriter:
Frank D. Gilroy |
Review
This
film, which turned out to be George Stevens' last, is a partly
enjoyable, partly agonizing symbiosis of modern dialogue and stilted
staging, of elegance and clumsiness, and of two stars with
conspicuously diverging acting styles: a fresh and youthful Warren
Beatty, and a jaded, declining Elizabeth Taylor. The latter
nonconformity is the main reason why the romance between the two
never really works – in addition to some cowardice in the bedroom
scenes on Stevens' (and probably the it-couple Taylor/Burton's)
part. So while you want to believe the Beatty character's attraction
to Taylor, her somewhat dated fragility and forced working-class
persona (with which she is not in touch) makes her implausible as a
1970 Vegas chorus girl.
The
scenes that work the best are those which Beatty is able to spice up
with some of his impeccable comic delivery and timing. Beatty
impresses dramatically, too. He was probably never more assured (or
good-looking) than he was here; in a better film this could have
been an award-winning performance. His character is an altogether
interesting study, but although his predicaments and even the love
triangle per se is well-written, Stevens isn't able to handle it.
Granted, the fact that the film was shot in Paris (at
Taylor/Burton's insistence) and therefore feels so confined doesn't
help either, but the biggest problem is Stevens' inadequate
direction in the interpersonal scenes. It seems he was hoping that
if he kept the camera rolling, things would eventually make sense.
The film fares better at presenting the Beatty character's gambling
problem, which is presented with sensitivity, even if the
repercussions of it for the relationship between him and Taylor
isn't really tackled.
The Only Game in Town is a flawed film, to put it mildly, but
it has enough going for it, including some eye-candy (Beatty) and
ear-candy (Maurice Jarre's jazzy score), to make it worth a look.
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