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Oppenheimer (2023)
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Directed
by:
Christopher
Nolan |
COUNTRY
USA/UK |
GENRE
Bio/Drama/Thriller |
NORWEGIAN TITLE
Oppenheimer |
RUNNING
TIME
180 minutes |
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Produced
by:
Emma Thomas
Charles Roven
Christopher Nolan |
Written by (based
on "American Prometheus" by Kai Bird and Martin J. Sherwin):
Christopher Nolan |
Review
– "I am become death, destroyer of
worlds."
Christopher Nolan's daunting epic about
the father of the atomic bomb, J. Robert Oppenheimer, is an expertly
made, fully engrossing biopic of the same gargantuan, self-centered
proportions that we have come to expect of both Nolan's movies and
the best films in this genre. Nolan's uncanny ability of weaving
storylines and timelines together and interspersing them with
intensifying moments and motifs makes Oppenheimer's at times overly
discourse-based script come alive and the story's implications feel
as momentous as they were. To make a film based around this many
historical characters and meetings behind closed doors requires a
remarkable sleight of hand, which Nolan again demonstrates that he
has, but if Oppenheimer does have a deficiency, it is that it
probably requires a viewer with a fair bit of historical knowledge
or a solid historical interest. Luckily,
Nolan has no trouble keeping his piece together despite its
tremendous scope. He centres almost every
scene and image around Cillian Murphy's wonderful,
contemporary rendition of the titular character, who functions as a
focal point which all attention is drawn towards. The inclusion of the
Amadeus/Salieri relation between Oppenheimer and Lewis Strauss
(played by Robert Downey Jr.) may not turn out to be Nolan's strongest
card, but as with the film's other dealings with the more controversial
aspects of the story, it's handled with a certain amount
of grace. A host of capable thespians from around the globe make
up the extensive supporting cast, with special nods to Josh
Hartnett, Benny Safdie, and David Krumholtz. The evocative score is
by Swedish composer Ludwig Göransson.
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