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The Osterman Weekend
(1983)
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Director:
Sam Peckinpah |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN TITLE
Operasjon Omega |
RUNNING
TIME
103 minutes |
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Producer:
Peter S. Davis
William N. Panzer |
Screenwriter
(based on the novel by Robert Ludlum):
Alan Sharp |
Review
1984 meets
The Big Chill and a spree of
machine guns in this, the final film of Sam Peckinpah.
Unfortunately, both the logic of the former and the authenticity of
the latter is missing in this clumsily shot, horribly edited and
most likely amateurishly written spy/thriller flick. It feels dated
both stylistically and thematically, even by 1983 standards, and
even if there is a clever Robert Ludlum premise lurking underneath
and gracing the surface from time to time, such as in a tense and
semi-interesting middle part as the old friends (Hauer, Nelson,
Hopper and Sarandon) gather at the former man's house. It soon all
goes haywire, though, with more twists and turns than logic and
relevance. Peckinpah claimed the studio had botched up his cut, and
was probably right, but his direction is lacklustre at any rate; the
action-sequences being particularly disappointing and, well,
slow. Rutger Hauer does quite well in his first American lead,
Hopper and Sarandon make little out of the little they have, whereas
Craig T. Nelson seems the most inspired. For some reason, though,
all these four Berkeley graduates have porn-star-ish wives. No
wonder John Hurt found a need to monitor them.
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