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The Other Side of the
Wind (2018)
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Director:
Orson Welles |
COUNTRY
USA/Iran/France |
Genre
Drama |
NORWEGIAN
TITLE
- |
RUNNING
TIME
122
minutes |
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Producer:
Frank Marshall
Filip Jan Rymsza |
Screenwriter:
Orson Welles
Oja Kodar |
Review
One of several unfinished
projects Orson Welles worked on towards the end of his career has
finally been completed, 33 years after the legendary director's death, thanks in large to
Polish filmmaker Filip Jan Rymsza, original producer Frank Marshall and
Welles' companion and one of the stars in the picture, Peter
Bogdanovich. Filmed over a period of several years from 1970, the film
is as infuriatingly unfocused and sketchy as it is obviously ambitious,
both narratively and formally. For fans of Welles and film history,
The Other Side of the Wind retains a curious significance, but
mainly because of context and very little for its artistic
value. Structured as a meta-film built around a film-within-a-film (the
latter with a very slight and now mostly outdated parodic value), there
are obvious autobiographical elements and other more or less distinct
nods to various people in and around Welles' circle and the movie business
in general from the time in question, all seasoned with varying amounts
of humour and grudge, but mostly the latter. The dialogue and editing is
indicative of being ad-libbed and jumbled together, respectively. And
the end impression is more directionless than so-called "auteurish". On
the positive side, the picture presents a few fascinating observations
and musings on the old and new Hollywood. But it's an uninvited peek
which you don't feel entitled to, not the enticing and voyeuristic peep
from behind the curtain that Welles probably aimed for.
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