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The Pale
Blue Eye (2022)
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Directed
by:
Scott Cooper |
COUNTRY
USA |
GENRE
Mystery/Thriller |
NORWEGIAN TITLE
The
Pale Blue Eye |
RUNNING
TIME
130 minutes |
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Produced
by:
Scott Cooper
Christian Bale
John Lesher
Tyler Thompson |
Written by
(based on the novel by Louis Bayard):
Scott Cooper |
Review
At times, this gothic murder mystery
set in and around the United States Military Academy at West Point
in 1830, where the now renowned poet Edgar Allan Poe was a student
at the time, does indeed feel like the unnerving time capsule
filmmaker Scott Cooper (Out of the Furnace,
Hostiles)
intended for it to be. And when it does, an almost sensational
performance by the talented Harry Melling as Poe is a magnetic focal
point. Other times, however, The Pale Blue Eye cannot escape
the aura of contrivance which runs through the script and the
formula Cooper chooses for his narrative denouement. Whenever the
picture seems to have been able to mesmerize us with Louis Bayard's
often delightful dialogue or some effective albeit conventional
twists and turns, Cooper pulls us back to our inescapable Netflix
reality with another red herring or an overembellished scene. With
better and less controlled storytelling plus a little edge outside
of the ultimately obvious violence, The Pale Blue Eye could
have been really good. The casting and the performances of Melling,
Christian Bale and Gillian Anderson had deserved it. Also
with Lucy Boynton, Toby Jones, Simon McBurney, Timothy Spall, and
90-year-old Robert Duvall in an impressive two-scene part.
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