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Paranoia (2013)
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Director:
Robert Luketic |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN TITLE
Paranoia |
RUNNING
TIME
115 minutes |
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Producer:
Alexandra Milchan
Scott Lambert
Deepak Nayar |
Screenwriter
(based on the novel by Joseph Finder)
Barry Levy |
Review
From
director Robert Luketic (Legally
Blonde, 21)
comes this adaptation of Joseph Finder's acclaimed novel about dirty
corporate bosses and the young climbers who aspire to be like them.
Gary Oldman and Harrison Ford play the two rivalling former, while
Liam Hemsworth is the latter and our protagonist. And it all starts
out quite well, as we get to know a familiar but always seductive
high-end, high-tech environment. The only problem is that the script
is callow and completely devoid of originality; this is a
tech-thriller in which the "tech" is limited to fancy sales talk
about new cell-phone models.
What
the film still has though, is some great casting. Well, really it
has some great casting and some bad casting. The characters are
generally one-dimensional and unremarkable, but as long as you put
Gary Oldman in any kind of role, there's always the chance that
he'll make something great out of it, and that is exactly what he
does here. With his self-made cockiness, world-weary mannerisms, and
brilliant Cockney accent (not much of a reach for Oldman), he turns
Nicholas Wyatt from a boring villain into a compelling character -
one you'd like to get under the skin of, and one you care about
despite his less than sympathetic traits. Harrison Ford also has
some fun as Oldman's rival, but the same cannot be said of
Hemsworth's work in the lead. His Adam Cassidy is unremarkable in
every way, and Hemsworth is too young and inexperienced to make the
character interesting or even very believable. His scenes with the
beautiful Amber Heard (who puts in an effort without much reward)
seem contrived, and the only segments in which Hemsworth's character
comes alive and the film has any kind of heart are the ones with his
father, played with compassion by Richard Dreyfuss. Together they
semi-salvage the finale in a nice scene.
The
casting may be uneven, but it is miles better than the character
development and the plot twists, which fall short of 21st century
expectations. They're not so much twists as slow and expected turn
of events. And although there are glimpses of inspiration and small
portions of entertainment, with a dialogue that surprises every once
in a while, there simply isn't enough in here to satisfy seasoned
viewers. Whenever Paranoia is really watchable, it is because
of Gary Oldman. Luckily, no film that can boast one great scene is a
waste of time and money. And this film's great scene is of course
the first encounter between Oldman's and Ford's characters. Just sit
back and enjoy. And then you can skim through the rest.
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