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The Philadelphia Story (1940)
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Director:
George Cukor |
COUNTRY
USA |
GENRE
Comedy/Drama/Romance |
NORWEGIAN TITLE
En
nydelig historie |
RUNNING
TIME
112
minutes |
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Producer:
Joseph L. Mankiewicz |
Screenwriter (based on the play by Phillip Barry):
Donald Ogden Stewart |
Review
Hailed rightly as one of the finest
moments of American cinema, The Philadelphia Story was and
remains a fast-paced intelligentsia showpiece, so filled with
intellectual banter, ingenious metaphors and linguistic swashbuckling
that one single viewing won't do it justice. And although these
aforementioned qualities may not be immediately associated with
'entertaining' by most people, in the hands of the spirited George Cukor
the film comes strangely and uncontainably alive (and stays that way
until the very end). It's as if it rises from the remnants of the
traditionalistic Hollywood romance films of the 1930s, and takes on a
little spite, a great deal of confidence, and a sense of moral ambiguity
in the process. Donald Ogden Stewart's script is brilliantly adapted
from Phillip Barry's play, but it's equally as much the interplay and
unique chemistry between the three lead stars which creates the
wonderful effect; Grant's confidence and offish glances, Hepburn's style
and progressive feminism, and Stewart's delicate youthful arrogance.
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