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The Post (2017)
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Director:
Steven
Spielberg |
COUNTRY
USA |
GENRE
Drama/Historical/Political |
NORWEGIAN TITLE
The
Post |
RUNNING
TIME
116 minutes |
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Producer:
Steven Spielberg
Kristie Macosko Krieger
Amy Pascal |
Screenwriter:
Liz Hannah
Josh Singer |
Review
Anyone who has followed Steven Spielberg's later career will know
what to expect from The Post, in which the once so poignant
director in a most prosaic matter dissects the situation around The Washington Post's
decision to publish extracts from the Pentagon Papers in the early
1970s. It's a well-made film, but whatever life can be drawn from it can be
attributed to nostalgia and a couple of fairly whole-hearted
performances from Meryl Streep and Tom Hanks. For the uninitiated,
the film may feel like a two-hour debate show, but for anyone with
some connection to the historical period or political situation
depicted, the film will work as an interesting lecture; to elaborate
and fill in the gaps about an important juncture in modern
American history. Whatever parallels you're able to draw to the current
state of affairs will be your own achievement. Spielberg is more
interested in musing over the old newspaper printing press – and
what a remarkable piece of machinery that was! John Williams' score
is among his least characteristic in recent years. It works fine
within the context of the film. And so does Bob Odenkirk, who gives
the best of many solid supporting performances as Ben Bagdikian, the
recipient of the Pentagon Papers in The Washington Post.
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