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The Power of the Dog (2021)
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Director:
Jane Campion |
COUNTRY
New
Zealand, Australia, United
Kingdom, USA, Canada |
Genre
Western/Drama |
NORWEGIAN
TITLE
The
Power of the Dog |
RUNNING
TIME
126
minutes |
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Producer:
Emilie Sherman
Iain Channing
Roger Frappier
Jane Campion
Tanya Seghatchian |
Screenwriter (based on the novel by Thomas Savage):
Jane Campion |
Review
Jane Campion's thematic
follow-up to Piano
is a slow, introspective mood piece about family ties, personal secrets
and suppressed sexuality set in 1920s rural Montana. The film is
atmospheric in Campion's simmering, understated fashion, but it
oversells its message and emotional context. We're under the skins of
the characters before Campion lets them get there themselves, which
contributes to making their lethargic soul-searching pretentious and
perfunctory. Some of Campion's artistic touches, such as the infinite
equine/human juxtapositions, are excessive at best and outright
cringeworthy at worst. And the climax of the story, although technically
well structured, is so literary and grandiose in scope that Kodi
Smit-McPhee's anachronistic character cannot carry it. Attractive,
diachronic production values and a beautiful score by Jonny Greenwood
are two of a handful redeeming qualities.
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