|
|
The
Prestige (2006)
|
Directed
by:
Christopher
Nolan |
COUNTRY
USA/United Kingdom |
GENRE
Psychological thriller |
NORWEGIAN TITLE
The
Prestige |
RUNNING
TIME
130 minutes |
|
Produced by:
Christopher Nolan
Aaron Ryder
Emma Thomas |
Written by (based on the novel by Christopher Priest):
Christopher
Nolan
Jonathan Nolan |
Review
In 1890s London, two aspiring magicians,
Alfred Borden (Christian Bale) and Robert Angier (Hugh Jackman), are
learning their trade under the mentorship of John Cutter (Michael
Caine). When one of their regular tricks goes wrong on stage, their
co-assistant, Robert's wife, drowns, which Robert blames on a faulty
knot tied by Alfred. And thus begins a devilish feud between the two,
both of whom are also vying to become the greatest magicians in the
business.
This elegantly intricate story has an
alluring quality; you get sucked into it by a vivid recreation of a
bygone time when tricks could only be watched on stages, not on screens,
by a couple of endlessly fascinating and dangerously zealous characters,
and by Christopher Nolan's singular ability to captivate you with his
very own cinematic tricks. Because naturally, Nolan himself also adheres
to the film's recipe of a pledge, a turn, and a prestige: Nolan's pledge
is the opening act, which reveals a murder and the apprehension of the
suspected killer. His turn is how it was all preceded by an intense
rivalry shrouded in mystique and fuelled by pride and ambition. And his
prestige, of course, is the revelation(s) in the end. In what remains
one of the Nolan brothers' most classically stylish stories, they
beguile you without having to resort to mind-bending narrative
razzle-dazzle – the tricks up on stage and the secrecy that surrounds
them are more than enough to keep you pinned and totally engaged. It's a
tight, entertaining and surprisingly suspenseful exploration of ethics
and study of mechanics and science. There's a fascinating (although
slightly underexamined) subplot centered around the amazing Nikola Tesla
(played with insight by David Bowie), and in the lead roles, Bale and
Jackman are wonderfully industrious and living their obsessions.
Re-reviewed:
Copyright © 30.03.2024 Fredrik Gunerius Fevang
Original review:
Copyright © 24.01.2007
Fredrik Gunerius Fevang
|
|
|
|