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Priscilla (2023)
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Directed
by:
Sofia Coppola |
COUNTRY
USA |
GENRE
Biographical drama |
NORWEGIAN TITLE
Priscilla |
RUNNING
TIME
114 minutes |
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Produced
by:
Sofia Coppola
Youree Henley
Lorenzo Mieli |
Written by:
Sofia Coppola |
Review
Priscilla is a far more
condensed and controlled look at the life of Elvis Presley than Baz
Luhrman’s Elvis, and this time
we view it all from the perspective of Elvis' would-be wife
Priscilla, who starts out as a shy, impressionable 14-year-old and
ends up, well, a shy, impressionable 20-something. Sofia Coppola,
the director, has a clear vision and a wonderful command of her
craft, and along with the fine casting choices of Jacob Elordi as
Elvis and Cailee Spaeny in the title role, the picture transports
you vividly back to a magnificent-looking 1950s, with its
perpetually sparkling clean cars and decent girls in cute little
dresses. Coppola is out to portray the restricted life Priscilla
lived at Graceland under Elvis’ controlling but also loving care.
However, like Luhrman’s film, also this one might as well have been
titled Elvis instead of Priscilla, because it is his
character that is under scrutiny here. Mrs. Presley, on the other
hand, always stays a comfortable cushion away from analysis. She’s
looked at superficially, like the pretty little girl Elvis himself
viewed her as, which may of course be Coppola’s point in calling out
what she believes was a vacant world to live in. But it arguably
isn’t the only possible point of view for a film about one of the
20th century’s most famous couples.
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