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Public Enemies (2009)
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Director:
Michael Mann |
COUNTRY
USA |
GENRE
Crime/Thriller/Drama/
Historical |
NORWEGIAN TITLE
Public
Enemies |
RUNNING
TIME
140
minutes |
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Producer:
Michael Mann
Kevin Misher |
Screenwriter
(based on a book by Bryan Burrough):
Ronan Bennett
Michael Mann
Add Biderman |
Review
Michael Mann takes us
back to the gritty, anonymous 1930s using the most revealing and edgy in
digital technology. His love for hard images and sounds makes Public
Enemies a contradictory experience - it bring us closer to the
action but farther away from the 1930s. And it's not particularly
flattering either. The film also has problems getting us underneath the
skin of its protagonist, leaving Depp's slick performance mainly a
superficial one, but this was perhaps neither to be expected nor the
point. What Mann does here in presenting the legend of the so-called public
enemies of the great depression, is letting this legend live on. It's an
appealing film which excels at depicting action scenes and bringing life
to an conventionally unconventional love story. The latter grows from
unconvincing to heartfelt during the course of the film, and Johnny Depp
and Marion Cottilard both shine with beauty, even if they are better
separately than together. One of the most disappointing aspects of the
film, is Mann's failure to link Dillinger's status as a national hero to
the hard times of the depression. On the other hand, Billy Crudup's
multi-faceted depiction of J. Edgar Hoover is a bonus, and the ending is
worthy, from both a historical perspective and an entertainment
perspective.
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