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Rebecca
(1940)
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Director:
Alfred
Hitchcock |
COUNTRY
USA |
GENRE
Drama/Mystery/Thriller |
NORWEGIAN TITLE
Rebecca |
RUNNING
TIME
130
minutes |
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Producer:
David O. Selznick |
Screenwriter
(based on the book by Daphne du Maurier):
Robert E.
Sherwood
Joan Harrison |
Review
Hitchcock's
first American production shows clear signs of being the collaboration
of three very headstrong, individual egos that not always pull in the
same direction. Selznick's lavish production and Hitch's largely
delicate direction should make for a grandiose result when taken into
account Laurence Olivier's potential and the power of du Maurier's
story. But even though Rebecca is a potent, smart and diverse
picture, it is also somewhat stilted, segmentary and uneven. The acting
is impressive - albeit not in a classical sense. Fontaine's shyness and
submissiveness is unorthodoxly sexy, Judith Anderson delivers one of the
most classic and compelling of one-dimensional performances, whereas
Olivier - for all his magnetism and brilliant line-delivery - looks off
in some crucial scenes. And that is incidentally many of the same scenes
in which the film isn't at its very best. Hitchcock upholds and unfolds
his mystery delightfully, but the twists aren't always equally well
accounted for.
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