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Repulsion (1965)
Review
This Roman
Polanski classic is a thematically overwhelming and visually stunning
shocker depicting sexual repression and the horrors of isolation.
Catherine Deneuve is the young, kittesque misfit deadlocked between
childhood and adult life, and the setting is a seemingly regular London
flat. Repulsion is one of Polanski's most erotic movies (had it
been made today, it'd definitely have been very visual as well), and yet again
he deals with sexual abnormality. However, for a horror
movie, it isn't quite suspenseful enough, and for a psychological drama,
it doesn't quite dig deep enough. There's so much interesting going on
in this movie, but Carol is a frustrating character to get to know – she
pushes the viewer away much in the same way she does with men, and we're
left watching through Polanski's objective, somewhat detached camera. Patrick Wymark
deserves the most credit for the best
scene in the film, a wonderful long-shot encapsulating most of what Repulsion
is about: ambivalence, estrangement and isolation – both mentally and
physically. Unfortunately, Polanski keeps his view too static and doesn't
let us dig deeper as the events go by.
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