Room (2015)
|
Director:
Lenny
Abrahamson |
COUNTRY
Canada/Ireland/UK/USA |
GENRE
Drama |
NORWEGIAN TITLE
Room |
RUNNING TIME
118
minutes |
|
Producer:
Ed Guiney
David Gross |
Screenwriter (based on her novel):
Emma Donoghue |
Review
The subject matter is hard-hitting, but
that’s only indirectly what makes this study of human psychology so
powerful and interesting. Brie Larson plays a woman who along with
her 5-year-old son (Jacob Tremblay) has been confined by her captor
to live in a small garden shed for years. Despite her distress, she
does her best to give her son a positive outlook on life and
normalize his days as much as possible. The most fascinating and by
all accounts truthful observation this unorthodoxly beautiful film
has to offer is the remarkable adaptive capacity a child as young as Jack
has in an extreme situation like this. Despite the
immorality of the situation, for him it isn’t really extreme in any other
sense than for the lack of air and space to roam. One of several clever
aspects of Emma Donoghue’s story (she wrote the script based on her
own novel) is the shift in Joy’s situation as we move locales. She
goes from strong caregiver to traumatized victim, which materializes
once she consciously or sub-consciously realizes that her son is
finally safe.
Donoghue's insightful script and
director Lenny Abrahamson's sensitive handling of it makes Room
an effective movie.
But it's the magnificent acting by young Mr. Tremblay that really
elevates the film into an experience out of the ordinary. Tremblay gives
what will rank as one of the best performances of all time by actors in
this age group. He has a remarkable, almost puzzling naturalness in
front of the camera and – not least – in relation to his co-stars.
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